![]() It implies that authors or producers of animations or comics appropriate the Shinto structure, the polytheistic attitude in their works, but one is not sure whether they are conscious of the religious significance. power through terror the idea that a restricted elite can control the mass. ![]() Dad hats and baseball caps with adjustable snapback and buckle closures to fit mens. Manga and anime, which are Japanese comics and animation respectively, have. My conclusion tries to show that in Japanese animations or comics the concept kami is used in relation to some sort of symbol or cryptograph creation in the story. Original Kami In Japanese hats and caps designed and sold by artists. In Kaze no Tani no Naushika (1984) there is a weapon named kyoshinhei, but its character is not a god but a huge artificial life form with god-like power. He was killed and decimated into multiple pieces giving rise to volcanoes. Due to the destructive power of fire, he became an important part of Shinto ritual. He is the father of 8 gods, including those from the mountain and warrior realms. power when they turned one hundred years old. Kagutsuchi is the Shinto god of fire in Japanese mythology also known as Hi-no-Kagutsuchi. One animation, for example Densetu kyoshin Ideon (1980) uses the term kami or god in the title, but there is no religious meaning but an implication like “something passes human understanding”. 4 In this sense, yokai are un-worshipped kami and kami are worshipped yokai. I argue that this concept does not have religious meaning in most animations or comics. In this presentation, several significant works that featured the polytheistic element will be analyzed especially the influence of Shinto-like attitude on the concept of kami (god). One of the most inmportant characteristic of Shinto is well known, it is polytheistic in which a large number of gods exists. ![]() Shinto is a folk religion like attitude in Japan which expresses respects to gods and an ancestor, and enshrines them. What is Shintoism in late 20th century Japan? Can it be seen or experienced in popular culture, in comics and animation for example? The main purpose of this presentation is to examine the influence of Shinto in Japanese animation or comic after 1980’s.
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